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5, 4, 3, 2, 1 ... Challenge taken in extremis

J 've finally found the Challenge 5 continents, consisting chronicle, during the year 2009, five novels, written by five authors each from a different continent (one European, one American, one Asian, one African and Oceania).

Statement Challenge at the last minute since I published four of these five columns between yesterday and today ...

The list of five novels is:

• Africa (Mali): Moussa Konate, The Curse of the manatee ( chronic )
• America (Argentina): Ernesto Mallo, The needle the haystack ( chronic )
• Asia (China): Qiu Xialong, the very corruptible Mandarin ( chronic )
• Europe (France): Catherine Fradier, 999 Camino ( chronic )
  
• Oceania (Australia): Peter Corris, White flesh ( chronic ).

If there is a Challenge 5 continents in 2010, I think also participate. But taking me differently to avoid a sprint finish!

(image taken from Blog Challenge 5 continents )

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A little lost on the way

U No detective story that "balance" about Opus Dei, "that can make a good topic. The fact that this organization in a cassock or tie comes to take legal action against the publisher of the novel for defamation against the author for complicity, it certainly creates publicity for the novel in question. But this is not necessarily a guarantee of quality fiction.

Opus Dei attacked 999 Camino of Catherine Fradier (published after the moon, collection Moons wan, 2007, 396 pages, ISBN 978-2 -35227-037-9) after I had read the book, so this is not an attack on Opus Dei against this novel that made me read it. I made the purchase of books by selling advertising to another argument, the stamp "Price SNCF French thriller - 8th edition. As I did not read, so far, the least polar awarded during the 7 previous editions of this award, I'm tempted by this one. What do you want, everyone has weaknesses.

Camino With 999 , we tread in the footsteps of Carla Montalban, group leader at the Crime Squad of Lyon, for a survey thorny on murders whose ramifications go back into the blackness quite secular and not spiritual and religious political machines. The underside of the case are already murderous torturous, and roots burrow into the glorious past not of France and Spain in the 1970s: the Case Matesa, political and financial scandal, background of succession between the dictator Franco and the future King Juan Carlos and rivalry for influence between the Falange and Opus Dei. But Catherine

Fradier felt obliged to add in the sauce quite thick already, taking Carla Montalban in the web family matters related to these shenanigans there. The sauce becomes indigestible, the strings too big, and my interest almost too tenuous.

Much of the book, however, held me spellbound through a sustained narrative pace, a very pleasant writing style, and characters which the author was able to give depth. But I found myself stuck in this story, passed from generation to tortuous almost transparent when the final is clear to the reader while it remains roughly a third of the book to discover. For a moment I allowed myself to hope that these tricks are too big that were false leads (too big, too) struck me with a better final surprise. But no. The final was very one I had guessed.

I think I would have preferred a bleak end to this half-fireworks marshmallow. The subject seemed to win everyone something more poignant, even tragic.

This 999 Camino me like a sprint in which the rider, believed to have already won race as he moved his arms and legs, collapsed, panting, a few meters from the line.

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For the record, point out that Opus Dei has lost its legal action against the publisher and the author of the novel at trial and on appeal. For more details, read this post then .

As I said, it does not give this novel an additional quality, but it's still a good place for freedom of imagination of authors and publishers.

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Australia Hard Boiled

"She's a blonde, thin, a bitch and a bloodsucker. She acts freaked out, you know? Goal she's really ice-cool. Know What We Call Her down here? "His head shook Hardy." White Meat. "

It is quite common to have a crime writer, referring to another well known author. It is even often a selling point on the back cover or on a banner affixed to the book: "Stronger than Patricia Highsmith," or "The book would have loved to write Henning Mankell!" .

I myself will give something to this facility, like others before me, publishers or journalists, professional critics and lovers of crime fiction to say Peter Corris that his style is reminiscent of Raymond Chandler. This was the case, at least for his early novels in the series featuring the "private" Cliff Hardy. But with nearly forty novels in this series since the first The Dying Trade published in 1980 and the last one to my knowledge, Deep Water, published this year, Peter Corris has had time to draw his own way.

However, the kinship with the style of Chandler is not just a veneer of marketing. The adventures of Cliff Hardy, the private Australian Sydney bear the clear mark of the hard-boiled novel: the narrative in first person, the lonely and cynical private, body and soul battered (he was a boxer, has fought in Malaysia, was a logger and investigator for insurance, is to say if he saw the green and not ripe), under realistic adventure without dead time, the dialogues without fuss, the treated plots. In short, punch and class.

There are, in Cliff Hardy, something of Philip Marlowe, Raymond Chandler, and perhaps more, of Lew Archer, Ross Macdonald. And even the urban Sydney odors Californian cities, the fictional San Angelo or the real Los Angeles of Marlowe or the imaginary Santa Teresa (which recognizes Santa Barbara), Lew Archer.

You'll wonder why so you could look on the novels by Peter Corris, it's just a private in an almost American Australian city almost U.S. too. To which I reply that, beyond this initial feeling of deja vu, these novels have a real personality, an Australian perspective. It feels like when Cliff Hardy's adventures lead him out of town, towards this outback where the harshness of nature has hardened men themselves. It is also noticeable in the portrait of Australian society, torn between conservatism and tolerance, equality and voracity,

White Meat (Pan Books edition, 1981, ISBN 978-0330270182 ), published in France under the title of White Flesh (editions Shores, Shores Collection Black, 1989, 264 pages, ISBN 978-2869302129) is the third novel in this series of Cliff Harding. If I chose to take it over another novel in the series as an example of the work of Peter Corris is firstly because I discovered shortly after its publication, at a time when I devoured indiscriminately Hammett, Chandler or Ross Macdonald, and secondly because I think it speaks to the unique world of Peter Corris. In this White Meat, Australian society is very present, and tensions between the ethnic components of this motley company are a cornerstone of this novel. From downtown Sydney to the Aboriginal community in the suburbs La Perouse Aboriginal boxers to Italian mobsters, to the young woman disappeared, the stage is set and the actors are ready. Shake very well the ingredients, let us add a detective that blows on the head never did give up an investigation, and that's a great cocktail for lovers of hard-boiled. Born

there will soon be thirty years from the imagination of Peter Corris who wanted to write the kind of novels he loved to read, Cliff Hardy is still there today. Almost to the surprise of its creator, who did not expect such longevity, and pleasure drives hard-boiled novel, which have is a master of the genre.

What I regret is that a talented director has not taken possession of this character there to bring to the screen. While the New Zealand director Chris Thompson has adapted his novel The Empty Beach (1985) film, but this film did rather poorly as we approached to Germany (Ein Toter weiß zuviel ) without reaching France.

lacks Peter Corris and Cliff Harding a "great film", as has been the case for Sam Spade by Dashiell Hammett (I think The Maltese Falcon, John Huston (1941), starring Humphrey Bogart), the Philip Marlowe, Raymond Chandler (Humphrey Bogart, again in The Big Sleep Howard Hawks in 1946) or Lew Archer by Ross MacDonald (Lew became Harper in the guise of Paul Newman in Harper Jack Smight in 1966). Perhaps it is too late, fashion is not really the films of "private".

Do not film, and therefore taking a novel.

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• To learn more about the author and his work, visit the website Peter Corris .

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A Scent of gamy

U No author likes to reward its readers detailed descriptions, so that the pace of the story sometimes gets lost in the maze of words. An inspector fond of classical poetry in a world where the excitement is married to capitalist shackles of a more civilized than police. And the food that accompanies the story throughout the pages. Those are the three strong elements that I have left my reading of the novel by Qiu Xialong The very corruptible Mandarin (Editions Points, Points collection Thriller, 2007, 346 pages, ISBN 978-2757804698).

In this "new" China, which has kept the name of the Communist party in power, business is booming for the dignitaries. Further north, they were called "apparatchiki" here in Shanghai, it is the "mandarins". And they have little to envy all powerful all ages of the world: they brew fortunes, live in luxurious houses with parks pregnant attend VIP club for miles in search of fun, play favors and threats, and feel untouchable.

Those not yet acquainted with this author or his hero quickly realize that if China Qiu Xialong door in his heart (even in his exile in the United States), it is not in his heart that Chinese society has become. His novels sometimes turn to the indictment a little heavy, not always alleviated by frequent allusions to poetry and cuisine.

But that Qiu Xialong readers already know, since the first novel in the series involving Scene Inspector Chen Death of a red heroine (Editions Seuil, collection Points Crime, 2003, ISBN 978-2020488877). And if the first novels in the series focused mainly on the Chinese working classes, it leads us to look under the discreet veil that covers the dark side of high places.

In addition, this novel in this, China is a little less present than in other series, as Inspector Chen is asked to travel to the United States to pursue the corrupt giving Mandarin the book its title. This offers the reader an interesting perspective on the U.S. as seen by a Chinese whose the dream is not to settle.

I am not a ardent fan of Qiu Xialong, I consider myself more as a casual reader, borrowing some of his novels at the local library not subject myself to read them all and even less buy them all. I suspect that not reading all the novels in the series, I pass elements that build, deepen the bonds between the recurring characters. But I do not feel passionate point of immersing myself completely in this series, as I am, however, a big fan of the novels of Martin Cruz Smith featuring Arkady Renko.

Besides, from reading this novel, I told myself repeatedly that I found there echoes of the adventures of Arkady Renko, and more particularly Gorky Park, whose novel I mentioned in this blog : corruption at the highest level, scheming businessmen who do not know borders, and an inquiry by an inspector whose "big bad" hope that Honesty really is the idealistic naivety which will lead to failure.

I therefore find it difficult to you Very clear whether this corruptible Mandarin is the top or bottom of the basket Xialong Qiu's novels. I can tell you that this is a novel poetic-gastronomico-political-police officer who has some good hours of reading, failing to provide a suspense or intrigue that keeps you close the book before you finish .

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For the curious

Readers who enjoy discovering the inspiration of the authors of thrillers when they dug into the reality of our world will not fail find that Xing Xing is a cousin of the novel not too distant from Lai Changxing. The Chinese businessman in Jinjiang, Fujian Province, had fled to Canada from China in the late 1990s, after having been caught red handed in a web of corruption and smuggling in which were involved senior Chinese officials. Was it an enemy of China "or become bothersome accomplice?

even more curious readers will get a more accurate idea of the case below devouring the book of the journalist who was responsible for seven of the Beijing office of the London Times , Oliver August, Inside the Red Mansion: On the Trail of China's Most Wanted Man (published by Houghton Mifflin Harcourt, 2007, ISBN 978-0618714988).

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Under the heel of the general

I could be clever and pretend that I took advantage of Biarritz Festival last October, where I visited a neighbor for sneak up Ernesto Mallo and discuss with him, congratulate him for his crime novels in which I have plenty of all and rejoice with him the publication of the French translation of the first of them, La aguja en el pajar (published by Planeta Argentina, 2006, ISBN 978-950-491-457-0), under the title The needle in the haystack (Editions Payot-Seaside, Seaside Black Collection, 2009, ISBN 978 - 2-74362-000-4). I could, but I will not. In truth, it's even just after the Festival that I learned that Ernesto Mallo had participated.

I had not missed his novels, fortunately, discovered the other side of the Bidasoa in a bookstore where I have my habits.

If Ernesto hit Malla a big hit with his first novel, La aguja en el pajar (especially with the price Silverio Cañada Memorial for best crime novel published in English in 2006, awarded at the Semana Negra de Gijón, 2007) is that the The author is not a partridge of the year. Born in 1948 in the province of Buenos Aires, Argentina lived trapped under the boot of the dictatorship, Argentina's last knee delusional liberalism and the great crisis of 2001 (which has swept the newspaper he ran then). So when, unemployed, recently separated from his wife and a daughter with very ill, he began writing his first novel, there not surprising that he dips his pen in black ink and fully Argentina.

The needle in the haystack is a thriller. Very dark. More black policeman, I would say. Indeed, even if the pretext for the novel is the discovery of two corpses of young "subversive" (two corpses are found to be three) and the main character is a police, not the detective story which is, in my opinion, the backbone of this novel.

Rather, the characters, especially the scenery which is not a background but a first plane.

The "human factor" dear to Graham Greene is very present here, in these figures that almost nothing is destined to meet, and paths which will telescope. Lascano, the officer shaken by the death of his wife Marisa, Amancio Perez Lastra, trapped in their debts and the beautiful Lara, Biterman, the lender who survived Auschwitz, Eva, the activist who Lascano may restrict prevent him from seeing his wife. Characters very typical, almost too the point that I was sometimes hard to believe, for example, the pathos generated by Inspector Lascano (although I understand the pain of having lost his wife). Characters that will weave together the fabric of human feelings of friendship, love, fear, disgust, revolt.

This novel is more than a detective story, a portrait scalpel Argentina's dictatorship, those where the yoke of fear hung over everyone else, where raids led to the "disappearances . The needle in the haystack is perhaps for Ernesto Mallo, the first step towards non-acceptance or analysis but, instead, the denunciation by the clinical picture, termination of cowardice and compromise. As long as people can take the pen to wake up consciences, literature can serve to protect the people, cultures and societies.

I want to non-Hispanics will soon discover in a French translation delincuente Argentine (editions Planeta Argentina, 2007, ISBN 978-950-491-702-1), which continues the account The needle in the haystack began. The police and the assassins, the militants and the military, the living and the ghosts of that which Argentina aspires to anything but the boot of the generals, are still at the rendezvous of the readers.

While opened on December 11 last, Argentina, the trial of twenty former soldiers of the Graduate School of marine engineering, central memory loss which were tortured and, for the Most killed about five thousand militants anti-dictatorship (there are about 200 survivors only), reading novels Ernesto Mallo, The aguja en el pajar and delincuente argentino is not only participate in a work memory, but open our minds to the breath of vigilance and resistance, and understand the price of freedom.

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• To learn more about the author and his work as a writer and playwright, visit its website .

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At the Crossroads

the beginning was the Word. The verb of Dashiell Hammett, with whom he has carved gems like Red Harvest (1929, Red Harvest) and The Glass Key (1931, The Glass Key).
Then came the Coen brothers, Joel and Ethan. The pair we had, hitherto, for unloading a Blood Simple (1984; Blood for Blood ) already very dark and Arizona (1987) badly shaken. And when Joel and Ethan Coen have grabbed the world of Dashiell Hammett to their gangster film, they have not missed their breaks.

With Miller's Crossing is immersed in Prohibition, its corrupt politicians, his wives and inevitably fatal disorder, the Italians looking to mess with the Irish who make them well . Alcohol flows into glasses, gutters and veins of the characters.
But we are far away to jazz clubs flashy way The Cotton Club Francis Ford Coppola (1984), although also far from the bombast of Untouchables (1987; The Untouchables ) Brian de Palma. In Miller's Crossing , défouraille it, fire it, it sends ad patres, but almost no effects. Perhaps because unlike those films where the director feels obliged to turn handheld camera shake by adding to show how the action is intense (a method that works well, however, in some cases) photography is here particularly licked, asked (I take my borsalino in this regard, Barry Sonnenfeld). Perhaps also because the music is fairly unobtrusive.

The Coen brothers have done hands on the heritage of gangster movies, obviously. He does not miss a felt hat, not a long coat in camel hair, not a Thompson submachine gun with charger pie, not a fine car, not a shot twisted, not run in a foggy place. It lacks neither an Irishman or an Italian or a Jew or a Dane, an international facing the 18th Amendment to the appointment.
They took all the spoils, have shaken and added their own ingredients. Dialogues that are gnashing their teeth, the characters all so rotten that none of them can serve as a lifeline to the viewer, a plot more convoluted than the accounts of Al Capone, almost caricatured characters, but rendered credible by the interpretation superb actors (Gabriel Byrne, Albert Finney, John Turturro, Marcia Gay Harden, Jon Polito and Steve Buscemi, to name a few).

I found the screen with this Miller's Crossing, all the darkness and complexity that I appreciated in the world of Hammett but Joel and Ethan Coen have managed to bring an extra dimension.

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• Sheet Miller's Crossing site IMDB.

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The vast entourloupe

L one of the deepest pleasures of detective in the novel and film, is that of having at the end of the story, the feeling of having been duped, led to erroneous deductions, until the revelation final. I must say, however, that I'm a good loser only if they were not put before a case can not be resolved. The novels in which the player can not get a correct idea of the ins and outs for the simple reason that the author knowingly hides the most important elements I do not normally give this exhilarating pleasure of having been deceived with which j open this message.

No, what I really like is to have been fooled when I had everything under his eyes. And flagrantly, and more.

And one of the largest successes in the field, my eyes, is The Usual Suspects (1995), the Bryan Singer film a screenplay by Christopher McQuarrie . A plot of drawers simmered with onions (Christopher McQuarrie won an Oscar, among others, for its screenplay), cross-evidence that bring more fog than light in the case of dialogues fed black humor, characters remarkably designed and served by brilliant actors (special mention to Kevin Spacey aptly rewarded for this role, including an Oscar), and a final revelation that gives you a blow punched in the stomach. Just before you start cheering, after regaining your breath.

The film, which bears the character of Keyser Söze the Top brains of crime is a huge sham, in which the viewer's attention is drawn to the dialogue, the narrative report, to the point 'sometimes forget the visuals. Our eye, beneath which lie the clues, then do not play its oversight role, and these are the words that instill in our minds what we eventually do to the truth.

Watching the film a second time, I found myself as having a number conjuring: I know the fall of the number, I was attentive to every detail (or at least I thought so), and bam!, I fell back into the panel. I am not an expert in the theory of film scripts, but I guess that concocted by Christopher McQuarrie to draw all the strings of the finest kind: the deception arose from the subjective narrative (in which the spectator, leaving her prudence , can only agree), the narrative ellipses, returns back in time and geography, and this room police, despite the changes of place and time, remains the center of the story to the point that we are almost in a camera.

The Usual Suspects draw a large theater of illusions. In the words of Verbal Kint (played by Kevin Spacey), "The greatest trick the Devil ever Pulled WAS convincing man he didn't exist", borrowing the words of Charles Baudelaire ("the greatest trick the devil is to persuade you that he does not exist ").

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Black and supernatural

game Hellywood , of Emmanuel Gharbi, Raphael Andere and The grumph (John Doe editions, 2008, ISBN 978-2-916898-05-6) is one of those RPGs that make me make the big difference between "I love" and "I do not like" to leave me a sense of "yes, buts". In fact, this game has two facets, one that fills me and one that I just can not seem to hang.

facet of which I am very customer is that of black ambience, one that goes to the heart novels and films like that. When playing the game, we feel that the flavors have permeated at a crossroads coming from Harlem by Chester Himes, Roman Polanski's Chinatown, the Miller's Crossing by Joel Coen of Los Angeles by James Ellroy, the footsteps of Philip Marlowe or Lew Archer.
Heaven Harbour, the fictional town that serves as a framework for the game is a little New York, a little Chicago, a little San Francisco or Los Angeles. Lovers of crime fiction to easily identify the business district, neighborhoods 'ethnic' Chinatown or Little Italy, the hills chic and docks dismal and the hinterland where orange trees grow.
short, the ideal playground for me, land on which I am fully at ease to put together, play or do play role-playing adventures.

The book is very well written, and it's a cop Heaven Harbour which guides the reader throughout the book, making it the portrait of the visible as the invisible face of the iceberg. I want to emphasize that the section on sources of inspiration of the game should be released outside the scope of this game for all fans and the curious who would find a summary of the detective genre in novels and films.
The game mechanics themselves are original and really stick well to the atmosphere, especially based on rules related to craps.

But there is a "but." And even two.

First the lesser of: to what this city kaleidoscope Heaven Harbour, sometimes I spend my time wondering what has been borrowed from such city or another, from New York to San Francisco. And the fact of wonder and then prevents me from taking the city as it comes, for what it is: almost a city-kind tribute to black.

In addition, with very few exceptions, I'm pretty tight with the intrusion of a supernatural element in this kind of universe. When it is subject to doubt, as in some novels of the Fu Manchu series or works of John Ray, I can stay on the train. When he is stronger, as the film Angel Heart Alan Parker, tangible or explicit as in the series X-Files created by Chris Carter, I sometimes harder to stay in the car.
But when a whole neighborhood of Heaven Harbour became the benchmark of demonic creatures, I get the train. My ability to "suspend disbelief " is not enough to get carried away in such a perspective. Such mixtures make me the effect of "enough is enough", and I can not see anything "serious." Where the game suggested that I see a LA Confidential sulfur fumes, I can not help seeing a big way comedy Ghostbusters . The talent
authors of the game is absolutely not in question and the game certainly has much more chance of finding its audience by offering a mixture of black and fantastic atmosphere, given the tastes of the majority of gamers, not only providing a fantastic atmosphere without black.


Finally, Hellywood proves a very good role playing ... which I can not join as a whole and I do not really see how I could implement it around a game table: I do not know how to play or play adventures tinged components demonic, and I can not see myself shelling the game to remove the supernatural and keep only the atmosphere that I like.

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• For an overview of the game, you can read plug on the site of GROG .

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Let's Play series

C ome gamers, that is to say practitioners role playing (conventionally abbreviated "RP"), have the unfortunate tendency to say that it is particularly difficult to give a clear and simple definition of what kind of game I say "unfortunate" because this trend can help cool the curious or uninitiated worse, to give the impression that gamers are somehow insiders something beyond the ken of laymen.

For my part, when I explain what kind of game is the RPG, I start from a simple comparison: the role play is a little what is done among children in court school or in a garden and we played cops and robbers, cowboys and Indians, the princess and the knight: he is mentally slipping into the skin of a character different from oneself and invent with his playmates a story that will evolve according to the ideas of each other.
Role playing is a game, a close cousin of this practice, but with rules designed for example to prevent some players do not monopolize the game, or bring a touch of suspense to give chance to the shares.

Role play table differs from the role-playing game called "size" in the sense that you play sitting around a table and we need not make so-so action is being done to make her character and that is content to describe with words.

If you want to know a little more, you can watch the side of that page .

But you can also ask your questions right here.

In terms of size RPGs, as I'm not practicing, I'd be hard pressed to be a reliable source of information.

There are hundreds of RPGs, which differ in the universe in which they invite to play and by their rule systems. You can get an idea of this diversity, looking at that site .

However, overall, the principles are always the same: to embody a character, make her adventures shared with the characters played by other players.

Some RPGs are set in worlds inspired by works of literary fiction (eg The Lord of the Rings ) or film (eg Star Wars), or specially created for universe game

So far in the galaxy of RPGs of all kinds have appeared for over 20 years, and many of them offer the possibility of adventures "police", "black" or type thriller. I will try those present here I know (and I do not pretend to know them all), at least to arouse your curiosity.

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• Note: part of this text is taken from post I wrote about this in my salons eighteenth. Those of you who have read there please forgive this shameless recycling.

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The black peril yellow Lovers alone

S it is a character who personifies in the world of fiction, "the yellow peril," it is Dr. Fu Manchu .

Born in the early 1910s, the imagination of Sax Rohmer, the genius of evil, invisible yet ubiquitous, was a central figure of a dozen novels of the author, other authors of novels, a dozen films between 1920 and today, and even the inspiration for musical compositions.

With Dr. Fu Manchu, Sax Rohmer offers investigators an opponent quite different from those of other mystery writers offered at the time and even later: an opponent less tangible, it would not itself but through the henchmen and creatures in his pay (including the most improbable, like insects). Dimension "fantastic" is never far away, because Fu Manchu is able to mobilize knowledge that Westerners do not know, instilling doubt and fear in the minds of those who try to oppose him. Fu Manchu is an insidious disease, against which there appears not be a cure.

Fu Manchu personifies not only the fears of the West, which sees its colonial empire shaken by various rebellions, but also fears the most ancestral fears of the unknown, of the night fog, those strange plants and insects, venomous animals.

A modern reader may sometimes be uncomfortable reading the novels of Sax Rohmer. Not the malaise born of fear distilled by reading, but the discomfort of texts where the condescension of the West vis-à-vis 'native' all stripes often outcropping where the clichés about the malignancy or, conversely, the naivete of the "natives" are frequent. Novels reflections of their time? Novels cast of thought of their author? Novels reflect a misunderstanding, mixed with fascination of the East by the West A little of this, surely.

Anyway, the novels of the series remain Fu Manchu, now, fun to read. The mystery there tinge of humor, irony and self-mockery and, behind the archetypes, the characters finely brushed link.

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• For the curious English, a site not to miss: The page Fu Manchu

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war

C herchies a novel (re) read for business travel by train, I found in my old books Lovers War of Patrick Hutin (Editions Robert Laffont 1991; Editions J'ai lu, 1992, ISBN 2-277-23310-2). I had a pretty good memory of his Jurors of the shadow, just as "old," but I really do not remember its war Lovers. Had I read and forgotten because he had not captured? Had I bought at a bookstall in telling me that I would read it one day and never had I not finally read it?
Reading the back cover did not answer my questions. So I carried this novel as a reading rail. I did well. I realized that I did this book in my library without having ever read. And I found that a novel station.

Published as perestroika initiated by Mikhail Gorbachev shaking the USSR from a half-dozen years, the novel gives us a glimpse bursts of tensions and misgivings that trouble those committed to the principles of Cold War. A network of sleeper agents in the service of the French DGSE, located around Leningrad, became suddenly silent. Who has silenced the network? The KGB has discovered? The DGSE is not to offend the Soviets keeping clandestine agents on their territory? DGSE she voluntarily disclosed the existence this network to the Soviets, voluntarily sacrificing its agents?
Chess players know that sometimes sacrificing pawns to divert attention from a more ambitious operation. Then someone in Paris or Moscow, he plays chess pawns sacrificing?
Patrick Hutin us into a shady game, secret agent double agents, manipulators with puppets, most conducted clandestine conducted clandestine yet, true false traitors traitors. A game that one wonders who can win.

The plot is compelling and not without recalling the novels of Len Deighton or Eric Ambler, painting this theater of shadows and deceptions. However, the narrative sometimes gets lost in redundancies, the insistence that seemed generally ill-conceived and too cumbersome. Especially in the phases of introspection of the central character, torn between what he thinks is his duty to go after his investigation and his feelings for a woman fight, rather in spite of it, its dangerous business.
Furthermore, the plot is quite complex in itself, and the author could have avoided (and we avoid) to add in the expression of misunderstanding of this person lost in the labyrinth walls change as he grows.

Despite these burdens momentary faults, such Lovers war will appeal to those who love stories of clandestine networks and moles, loves and betrayals. And see the current tensions Russian leaders attached to regain former grandeur, the return air of cold war and saber-rattling, this novel - which has nearly twenty years - kept a real scent of the day.

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residence Rosario El levante


Waiting for the Sun QQ and Benedict Laffiché 2009 / We love Techno 2009 Benedict Laffiché

Laffiché Benoit visited in May and June in Rosario's residence in El Levante
he then continued encounters while traveling in northern Argentina to Bolivia.

To further his experience of the world initiated on other continents, "South Schengen" in Africa, and "From Port Blair Port Blair" in India, living in Argentina has offered the artist a time of observation, meetings with residents and with other artists especially with the artist Vicente Vasquez, a member of the collective Barcelona QQ http://weareqq.com/ who shared the residence with him during this period.
Travesias objectives, to be joined by artistic creation from outlying areas in a region of the northern hemisphere to another in the southern hemisphere, have been developed in this exchange that extends the poets Alain Lesaux and Sergio Raimondi previous year.

Learn more about the work of Benoit Laffiché
www.ddab.org / laffiche

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Wake waters that sleep

A Russian corpse on the shore of Lake Superior, "that is not common. The matter becomes even less common when one discovers said that Russia has gone from life to death because he was recently shot with shot fifty years old.

A dead Russian on the American soil, that's also an excuse to involve the time of the investigation, a police officer with a thought from the East. A woman, in this case, so that the contrast with the local investigator is twofold. A process already used repeatedly, with varying degrees of success.

In the category "less successful", I put the example rather dispensable Red Heat / Red Heat , Walter Hill (1988) Arnold Schwarzenegger (the Russian police officer) and James Belushi (Cop U.S.).

But in the novel Hidden Prey / The prey hidden of John Sanford, the association of two investigators is rather successful, with the difficulties inherent in this kind of cooperation where everyone hopes to play the game without the other down his own cards.
Difficult to say too much about the plot without taking the risk of disclosure. You you will certainly realize that the investigation will not be easy, when will cross, is fake, local officers, federal agents and services driven by the shadow of Putin's circle. All this for a merchant navy officer shot dead on a vacant lot near the port?

This novel is not overwhelming, but it is readable with pleasure.

* * * * *

Lethal Dose Temazapam

Examination smooth

A Judging by statistics consultation on the blog, there are (thankfully) more readers than those who leave comments. Some readers would perhaps give an opinion on a quick note without taking the time to write a comment. Also, I joined the blog function which I spotted on other blogs and I find it rather convenient: it offers the possibility of IVING review in one click .
You will find at the foot of each post a question "interesting ticket?" To which I propose to answer "yes", "bof" or "no."
If you want to send a comment for a larger ticket given function "Comment" is, of course, fully operational.

Now you have no reason not to give your opinion!

* * * * *

My Pannis Testing A Lady Doctor

Redemption in the cold

To walk on the feet of some apparatchiks and their dubious dealings U.S., Arkady Renko inspector of the Moscow militia, is found ex-inspector, to wade into the guts of fish Bering Sea.
Ah, nothing like the collective work to remind you how to behave in a good communist! The rehabilitation policy (both psychiatric and, of course) in the belly of a factory ship, it's probably less harsh than in the salt mines, but this does not mean easy.

Arkady Renko

Here then boarded the Polar Star (the North Star ), one of the great vessels remaining at sea for months, dealing with the fish on board than he reduces the trawl fleet operating smaller cold and misty waters of the Donut Hole (the "donut hole"), an area of international waters in the North Pacific.
Stand in tile, Renko. This is essentially the message that pose as the former inspector in charge of the squints down the monitor on the North Star . Just keep emptying the fish, and goes on the right path that traces the party for everyone.
But when one of the workers of the ship is found, dead, in a trawl, Renko is the commander of the North Star request to clarify the matter discreetly.

not easy to be discreet when you're clinging to his boots, Political Commissar of the board. Not easy to be discreet when dealing with big "tough" of the bunker fish, hardened by months working in this factory ship. Not easy to be discreet when the Polar Star participates in a joint venture, joint venture between interests and Russian fishing vessels and U.S..

Martin Cruz Smith succeeded in 1989, with this Polar Star (North Star ) to concoct a great novel. Formidable in its decor, a juxtaposition of camera: camera booths where the workers live, camera ship itself surrounded by a sea with no horizon as it is drowned in mist. Its great cast of characters, lovable or hateful, bringing in all of them memories of a past sometimes hidden, regrets this a distant dream of a future can be better. Great by the way it felt that the sea can be as much a prison (for most of those who sail on it) a space of freedom (for the lucky few). Great, finally, for his detective story, surprising as a sunrise after the storm.

A novel to read and reread. A novel which I say he deserves to be brought to the big screen.

* * * * *

Teeth Kinda See Through

Nosotros No sabíamos (Media)

Exhibition
León Ferrari
Nosotros No sabíamos



September 21 - October 26, 2009

Cloister Gallery School of Fine Arts in Rennes
34, rue Hoche F-35000 Rennes
-
Monday to Friday from 15 am to 19 pm
and Saturday 14 am to 18 pm
-
Tel: + 33 (0) 2 23 62 22 60
Fax: + 33 (0) 2 23 62 22 69
erba@ville-rennes.fr
http://www.erba-rennes.fr /


Opening Monday, September 21 to 18 h
-
Conference
Andrea Giunta, theorist,
Professor at the University of Texas
and Buenos Aires.
at the invitation The Auction Centre of Contemporary Art
, Rennes
ERBA
Auditorium Sept. 22 at 17 pm
-
"photogravures re-play
Performance Julien Jeanne
around the work of León Ferrari héliographiée

-
Dancing Museum
38, rue Saint-Melaine, Rennes
Performance to 19 pm The opening day

Friday, September 25
2, 9, 16 and 23 October

Commissioner: Chantal Bideau
-
The association
Travesías develops projects in recent years at the confluence of art and writing. She organizes trips to artists, poets and theorists, the idea of generating the link between the regions outside the main roads. It helps to reflect on the ways of thinking and doing art today. The network of human relations in return trips, the transition from local to global are the key concepts of the draft Travesías in this era of all virtual.
The first exchanges were initiated from Argentina because of the very special relationship to this country with Europe. Thus, in 2007, putting Rennes Au Bon Accueil, Tucuman Arde archive, avant-garde movement of the sixties in Argentina, gave an insight into the involvement of artists from that era. In discussions of artists appeared the sake of ensuring that their social and political rejoin the experimental side of their artistic language. León Ferrari has been involved in this movement.
Continuing this research, Travesías presents the exhibition "Nosotros no sabíamos" partnership with the School of Fine Arts, Contemporary Art Center Auction and Dancing Museum of the City of Rennes.

Between the years 1976 and 1983, Argentina lived under one of the most terrible dictatorships of Latin America. "Nosotros no sabíamos" brings together a series of illustrations, collages and photogravures of León Ferrari made in 1976. In the years that followed the dictatorship, the phrase "Nosotros no sabíamos" was commonly heard among the people: "we do not know." This term refers to negligent and complicit attitude of much of society in relation to the events of seven years of horrors. Ferrari has chosen this title for all the newspaper clippings that has met during the first phase of the dictatorship. He was in exile in Brazil following the disappearance of his son Ariel is one of 30 000 missing and murdered during this period. The information passed through the sieve of censorship or deliberately infiltrated newspapers helps maintain the climate of terror. By highlighting a fact that anyone could perceive, the artist says that "we did not know" was impossible.
Back in Buenos Aires, Ferrari makes collages to illustrate the book Nunca más Página/12 edited by the newspaper and the editorial department University of Buenos Aires in 1995. Each week, the newspaper offered its readers a booklet with the various sections of the text and illustrations of the artist. Nunca más is the ratio of the national commission that dealt with research on state repression and the disappearance of people during the dictatorship (CONADEP). It was first published in 1984. The expression
nunca más, "never again", reflects the will of Argentines not to relive the events of that painful past.
In the series "L'Osservatore Romano" and "Nunca más" Ferrari shows the relationship between the iconographic representations of hell over the centuries and the contemporary practices of torture. In 1965, with Western and Christian Civilization, bonding of a Christ on a U.S. bomber denouncing the Vietnam War, he questions the reports that political power has with the power of the clergy. All of his work, containing subversive elements, drew protests from conservative Catholic movement who lobbied for the closure of facilities at various exhibitions in Buenos Aires.
Throughout his career, Ferrari is experimenting with various techniques and devices - Photocopy of the sound sculpture, writing in the manner of abstract collages Michaud realistic. During his exile in Brazil, he made photogravures in which it uses standard images, of Letraset, usually associated with architectural plans, composing uninhabitable areas where the rules of planning are disrupted and where conviviality is impossible. This symbolizes both chaos and order. "About photogravures of León Ferrari (Buenos Aires in January 2008) the Commissioner Andrés Duprat describes this work:
" Through the drawing of architectural plans and use of prints, Ferrari built works that exacerbate imagination to the limits of human relationships. Nodes highway impossible roundabouts which concentrate masses of people, structures in which the use of cars and pedestrians are reversed, space organizations contradictory constructions unlikely that we rush into a world of strange fascination. These photogravures, presented at the Museum of the dance will be performed by Julien Jeanne in a series of dance performances.

Argentine theorist Andrea Giunta invited by the Centre of Contemporary Art Auction, deepen the insight into the work of this iconic artist in his lecture "The Case of Ferrari." Giunta is a specialist in art of the sixties, is investigating the relationship between avant-garde artistic and political development of modernity in Latin America.
Through this exhibition, Travesías wishes to offer the public in the region a wider knowledge of the Argentine art by focusing on the work of one of its most renowned artists and influential for younger generations.

Chantal Bideau and Bernice Gustavino
Rennes, July 2009

Short Biography of Leo Ferrari Ferrari
León was born in 1920 in Buenos Aires. In the fifties, he studied sculpture with a variety of materials: ceramic, plaster, cement, wood, and he made his first exhibitions in Argentina and Europe. By the early sixties, he creates sculptures out of wire. He also began his "scriptures": abstract designs that mimic the writing without really being read.
In 1964, Ferrari group of artists participating in the Institute Torcuato Di Tella, headquarters of the avant-garde art in Buenos Aires. At that time, he designed assemblies bottles, cages and dolls and is interested in religion and politics. In 1965, he introduced Western civilization and Christian at the cost of the Institute Torcuato Di Tella. It was a replica of an American bomber which was fixed a figure of Christ crucified. The institute has decided not to accept this collage for his criticism of the imperialist policy of the United States in Vietnam and the reference to the power of the Church were too explicit. This piece has become a paradigm in the tradition of the avant-garde aesthetics and politics of art of the twentieth century. After
one step more abstract, he resumed the religious iconography to make collages and photomontages. Images of hell in paintings of the masters of the Middle Ages or Renaissance are thus made in connection with photos and newspaper articles. He wonders in particular on the idea of punishment and hell in the Christian church, it connects with contemporary practices of torture. At this time, he also produces objects that combine small figures, icons of the Church as saints or virgins, with animal feces. In The Last Judgement, he installed an aviary with doves and placed at the bottom of the cage a reproduction of the Sistine Chapel ceiling by Michelangelo. The work s'autoproduisait with feces of birds. It combines the process and art and political provocation by violating an iconographic work in the manner of the Mona Lisa with a Moustache by Marcel Duchamp.
León Ferrari has participated in numerous exhibitions in Europe and the Americas as the last Biennial of São Paulo and the Mercosur in Porto Alegre. In 2007 he won the Golden Lion at the Venice Biennale and participated in Documenta 12. MoMA in New York recently showed his work in the exhibition "Tangled Alphabets "with the Brazilian artist Mira Schendel.
For more information: www.leonferrari.com.ar

Andrea Giunta and "L'Affaire Ferrari
Specialist Argentine art of the sixties, Andrea Giunta followed the wide path of artistic Ferrari controversy since its participation at the cost of the Institute Torcuato Di Tella in 1965 until his anthology in Mexico in 2008. His book El Caso Ferrari. Arte censura y libertad de expresión in the retrospectiva en el Centro Cultural Recoleta, 2004-2005, published in 2008, brings together texts to address the complex relationships between art, censorship and society. During the major retrospective of Ferrari at the Cultural Center Recoleta Buenos Aires in 2004, she curated the author examines such concepts as "free speech", "responsibility" and "public order" under legal discourse generated around the "Ferrari case." It also analyzes the role of public institutions in the artistic and the limits of contemporary art.
Andrea Giunta is a professor and researcher in art history, she teaches Latin American art at the University of Texas, Austin, United States, where she directs the CLAVIS (Center for Latin American Visual Studies) is also a researcher at CONICET, Argentina. In his book Vanguardia Internacionalismo y política. Arte argentino de los años sesenta (published in Buenos Aires Paidós in 2001 and reissued in 2008 by the publisher Siglo XXI, then translated into English and published by Duke University, Durham, North Carolina, in 2007 ), it examines trends in avant-garde of that period and the process of internationalization of Argentine art. She recently presented Poscrisis. Arte argentino dopo 2001 (Siglo XXI, 2009).

conference Sept. 22 at 17 pm in the auditorium of the ERBA



"Rotogravure" performative exhibition of photogravures of Leon Ferrari



Choreographer Jeanne Julien devised a project inspired by the series of photogravures of León Ferrari. With the help of a group of amateurs and sound artist Damien Marchal, he wants to build a moving space at the border between exposure and performance will be achieved when a series of actions, both visual and choreographic sound emanating directly from these impressions in connection with photogravures of Ferrari.
performance on opening day and Friday 25 September and on 2, 9 and October 16 to 19 hours.

Custom Chap Stick.com

Voces, Voices, Voices

During his residency El Levante, Rosario, Alain Lesaux worked on an edition of poetry he has translated into English, English, German and Bulgarian. The artist Brigid McAuliffe, who shared the residence with him during the summer of 2008 participated in this edition by providing photos taken during the evenings on milonga tango steps.

collection is to sell 10 euros at the headquarters of the association

2 rue HippolyteLucas 35000Rennes

(Voice)

Exile is a veiled sun
Exile playing leap-verb
Between bushes memories

Exile uncovers a cricket
In the voice of a muezzin

Exile wave in the wave
Fundus background mouth
skidder a corner

On a coffee table
In flies circling

To play with the shadow Who
advance between the voices

To play with the server behind
who twirls his dam

To play with the exile
And his cards greasy

And his bones white and red

Water exiles on the skins Des Tambours muets

Dans le jaune des rues
blafard Couches, terne dans des yeux fermés bonsoirs
jetés

L'exil non ce pas des bêtes
Licola Perdues
Non pas ces foyers of cendre froide

Comment dire: j 'defy vivants les rives? Comment

Surviving are in ex-il?



(Brest, dimanche 3 juin 2006)




Exile is a veiled sun (Voice)
play Exile verb break memories
Among shrubs

Exile
discover a cricket's voice a muezzin

Exile
vague wave background Fundus
mouth
recognized in a corner coffee table in
In the torpor of the flies

Playing with shadows that pass with the voices

Playing with the waiter turning back to his levee
Playing
exile and his letters
greasy and white and red bones

water exiles in silent drum skins

The pale yellow street Lying
fuzzy
As
Given good night with your eyes closed
Exile
animals that flange Lost
households not cold ash
How say defy the living diving?
How to survive in ex-ilio?


Brest, domingo 3 de junio de 2006


(Translation: Silvio Mattoni)

Free American Chikan Movies

A vuelo Chancho

In the residence of the Argentine poet Sergio Raimondi, workshops were held in Brest IUFM with classes at an elementary school, college and high school in Brest.

A small book was published A vuelo chancho extract from one of the editions of the "museo puerto del "Bahia Blanca where Sergio Raimondi provides leadership events and publications.

remains small books translated into French for teachers who wish to exploit them with their students.

association headquarters 2, rue Hippolyte Lucas 35000 Rennes

Orthodontists In Johor Bahru

of the poems in the pot

This project took shape on political speech and media of the second half of 2007 reflecting the will of our rulers to allow access to homeownership for all. However
"access to the precarious" Is not perspective for many of our contemporaries here as elsewhere. Behind the closed shutters that eat so our happy owners who are in debt for decades. The situation is often absurd. How to play in this context of social regression with words and action can achieve together people from different backgrounds: artists, poets, political refugees asylum, elders, youth. The idea of the soup came from the polysemic character of this dish, which also has a rich symbolism. Alternately comforting or excluding this dish is featured on all tables in the world. The soup of the poor, the prisoner's, the soup that warms the belly and heart.
Do we know yet do it? May be a bit outdated to make a soup and share it when it is easier to buy packaged foods super market. But the soup, traditional power base of the last century may well become again the main dish on many tables. That they say is the only popular source of livelihood for many people in rich countries.

all started in grassland St Martin in Rennes



walks along the canal, meetings with people who grow gardens.

• We crafted soups
• In the community kitchen
• Soup • Soup Chechen
Kosovo
• A soup of Angola

imaginary soups, soups of poets, artists soups of all colors.

Soup Kosovo zove

Ovo is Paca



500 grams of chicken eggs

5 2 natural yoghurts
Salt, pepper, paprika
Flour (2 heaping)
A little vegetable oil
2 or 3 liters of water.

The soup kitchen! •


it dates from 36
• I remember
• at the time
• People were very poor

the book's poems in the pot is on sale at the headquarters of the association: 2 rue

Hippolyte Lucas 35000 Rennes

price: 12 euros